In The Occupied Territory

By FinHall

Nathan Jones

Got today's blip done early. Yesterday I went up to my usual garage services place called Pitlane, to order a new battery for my car. Found on arrival that he was closed, so i went next door but one to a place I have never used before, and he ordered me on. I tried to get a heavy duty battery, as my taxi has a fair bit of extra electronics in it, but his supplier could not find a heavy duty one listed. so we compromised and just ordered a larger one.
Went up today and discovered that the Bosch one delivered was just the same size. Will have to wait until Friday for replacement. No big deal.
Being a soul fan, I had to blip the proprietor's name, Nathan Jones .
"Nathan Jones" is a hit single recorded by The Supremes, released in spring 1971 on the Motown label. Produced by Frank Wilson and written by Leonard Caston and Kathy Wakefield, "Nathan Jones" was one of eight Top 40 hits the Supremes recorded after its original frontwoman, Diana Ross, left the act for a solo career.

The song centers around a woman's longing for her former lover, a man named Nathan Jones, who left her nearly a year ago "to ease [his] mind." Suffering through the long separation ("Winter's past, spring, and fall") without any contact or communication between herself and Jones, the narrator is no longer in love with Jones, remarking that "Nathan Jones/you've been gone too long".

"Nathan Jones" is an unusual entry among the Supremes' singles repertoire for several reasons, the least of which is the fact that all three members of the group (Jean Terrell, Mary Wilson, and Cindy Birdsong) sing the song's lead vocal in unison. Clydie King was asked to sing along with the group to give the song a more fuller vocal sound. While working on the song, producer Frank Wilson had in mind a rock music style of phrasing for the song, resulting in the unison vocals. In addition, Wilson had his engineer, Cal Harris, use what can (now) be considered classic studio sensibilities to take the Funk Brothers' backing tracks for "Nathan Jones" and give them a phase shifting sound at various points during the song. This was accomplished by either using a second recorder (as the Beatles would have done) or (less likely) an outboard processor such as the blue faced MXR flanger.

Released as a single on April 15, 1971 with "Happy is a Bumpy Road" as the B-side, "Nathan Jones" peaked at number sixteen on the Billboard Pop Singles chart, number-eight on the Billboard R&B chart, and number-five on the UK Singles Chart. "Nathan Jones" was the most successful single released from the Supremes' fourteenth regular studio album.

Nathan Jones"
Single by The Supremes
from the album Touch
B-side "Happy (is a Bumpy Road)"
Released April 15, 1971
Format 7" single
Recorded Hitsville U.S.A. (Studio A): December 17, 1970
Genre R&B, pop rock, Northern soul
Length 3:04
Label Motown

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