Fernando Cohen

By fernandocohen

Landscape

Better seen large!

As a rule, photography has not been especially generous to those of her followers possessed by the romantic imagination, but every student of the medium will have his own considerable list of conspicuous exceptions. The romantic temper is distinguished by its quickness to find universal meanings in specific facts. It would seem that this tendency has more often been productive in the literary than in the visual arts, perhaps because pictures are more resolutely physical than words, and thus less accessible to quick symbolic transmutations. It is one thing to write about seeing the world in a grain of sand, and eternity in a flower, etc., and another thing to make a convincing picture of the idea. Photography especially has generally worked best when it has tried to discover the differences between the world and a grain of sand, rather than belabor their similarities.
John Szarkowski

Looking at photographs: 100 pictures from the collection of The Museum of Modern Art

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