By AnthonyBailey


...National, Southbank

...‘Hadestown is not perfect, but it is really, really good. The wonderfully diverse songs of Mitchell’s expanded, virtually sung-through soundtrack are the bedrock. From the demonic trombone riff that powers opener ‘Road to Hell’, through Hades’s stentorian authoritarian anthem ‘Why We Build the Wall’, to the graceful encore some two-and-a-half hours later, it is a musically thrilling, lyrically eccentric articulation of the Orpheus and Eurydice myth that has gratifyingly little to do with musical theatre convention.

As much as anything else, it works because of Chavkin’s exceptional casting. Amber Gray, a regular with Chavkin’s avant-garde theatre company The TEAM, is boozily magnificent as sozzled party-girl Persephone. André De Shields, the original Broadway Wiz in ‘The Wiz’, is scene-stealingly brilliant as a suavely shamanic Hermes. Eva Noblezada is a sweetly grungy Eurydice. Patrick Page’s bowel-quakingly low voice as Hades is practically a special effect.'
Andrezej Lukowski, Time Out

...Why we build the wall

...The song in full

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